2) My 2012 response to your (mostly) negative review of my 2012 solo album. How about you? I was bullied heavily growing up — which is not your fault of course, but it left a certain impression on me by which I assess all people I interact with even now, at age 51. If we said something mean to the audience, I apologize. @xescafort will sing with me!
As a journalist, you’re supposed to keep those prejudices out of the way of your assessment of work, otherwise, you yourself are not living up to the challenge of being in the moment, objective and curious. And by being so, I would give the Dandy Warhols’ members the benefit of the doubt that maturity has enriched and broadened their individual world views and they need not be held in judgment in perpetuity for being young and foolish at some point, it’s a natural part of becoming mature that you are, at one point, less mature. Paradiso In The Moonlight is a limited edition of 300 double vinyl heavyweight LPs capturing the Ken Stringfellow experience live at the Paradiso, Amsterdam, in 2012.It includes a 1080p video download of the entire concert plus mp3 and 24/48 uncompressed audio files.
This will be LIVE on Konnectclub at 11am Seattle, 2pm New York, 7pm London 8pm Paris 9pm Helsinki etc.
time!It will work much like a regular concert — think Eventbrite but for online shows. I hope we’ve/I’ve made up for it in subsequent actions. So, every bad review is essentially a threat to my livelihood, so yeah, I’m going to fight back. As a rebuttal, I’m going to list a handful of the vast and diverse range of artists I’ve successfully collaborated with — Thom Yorke, Wilco, R.E.M., Patti Smith, Mercury Rev, Neil Young, John Paul Jones… need I go on? Bob Geldof?
“#ThankYou @SON_EG @Houston_Party @somoscalavera @cristinagestido for an amazing tour... we love #Spain !! Discussing with fans their secrets, fears, despairs etc when they felt they could trust no one else — I truly worked to live up to that extended trust. Having said that, I’ve seen Mark Lanegan walk offstage from a packed audience of several hundred paying fans after TWO songs just because of some minor caprice, with no consideration to said audience and no one seems to saddle him with the label asshole. All of this, if it’s not clear in the cold font of the internet, is meant with no ill will or rancor. I felt that you were holding me to a standard that I could never have reached—-you’d have just kept finding faults with the record, because I believe you had a preconceived notion of what that album, the product of my personal artistic vision, should be, as if your tastes are something I should keep in mind when pursuing my artistic vision. "There's a new serif in town" of course.” To pinpoint the fact only 50 people came to see us in Eugene and imply it’s indicative of some failing on our part … hmm.
Whoopee? We'll be back.... muahahahahaha” Remove; In this conversation And was it me? “One of the most in depth, philosophical, and revealing interviews I have ever had the pleasure of doing https://t.co/ix3Xb1QYrW”
It’s not a dig on Mark, just saying there seems to be a double standard applied to our band/myself frequently, and not just by you. Saved searches. Tech soundcheck has been good!I’ve created a few different tickets incl a limited number of early bird discount tix, and VIP tix where you can request a song or have me read a dedication out loud (no FCC violations/hate speech of course!) I am going to do my first ever, full length headlining live online concert July 25.
But the review is there for all to read — a review in which you label my work, at times, as being ’stupid’, ‘mediocre’ and ‘meretricious’. “bon dia @Youthing_es looking forward to my show tonite... thanks for your support would love a tweet today!
Saved searches. You make an account, buy a ticket, and log in when the show is about to start.
“Just announced: KS solo show in Vilanova i la Geltru Spain June 19! Bully, or not a bully? Check it out! The campaign is running until mid May… there are cool ways to participate in the film, get an inside glimpse of the shooting, and even get some quality time with me.
Wij willen hier een beschrijving geven, maar de site die u nu bekijkt staat dit niet toe. Ken Stringfellow Composer of note // world travel(l)er // musician.
And if you think my comment, whatever it was, was hostile… have you read the comments section in literally ANY published journalism, cultural or otherwise, in the last 15 years? You, the reviewer, are the interface between me, the artist trying to survive, and the public who might be interested in this album. Remove; In this conversation Search query Search Twitter. Eugene is an odd market. Let’s say this — Alex Chilton, who was the driving force behind your #3 band on the list, Big Star, for most of its history, a band of which I was a kind of member for nearly 20 years (is that the thing — you have deemed me unworthy of such luck and your subsequent degradation and dismissal of my work is based on professional jealousy?
A blend of reality and fiction, this film seeks to explore questions of identity, family, and transformation all while shadowing the life of a touring musician…and human being.
So I don’t know exactly what I said. I wanted to respond to the Posies’ entry, it seems that a couple of things in our interactions have left a bad taste in your mouth and, being someone who as a semi-public figure feels a sense of responsibility for the wake I leave in this world, feel a duty to respond to both of your objections. As if Elliott Smith, The Beatles et al … didn’t have guitar solos the EXACT same length. If I know which show you saw, I can better attempt to reconstruct what was going thru my head.
Someone recently forwarded me a blog post of yours, that was in essence an exploration of the Power Pop genre, with a ranking of representative artists. Not sure which show you’re referring to — we played a couple of shows in Eugene in 92-93, and then returned in 2005, 2010, and then again in 2018.